Frame-exact trims
Drag either edge of a clip and the viewer shows the exact frame. 4K HDR footage scrubs without a spinner.
Tell Claude Code what the video should be. BetterEdits has already read your footage, so the agent knows every word and when it was said. Every change shows up in a real editor, where you can fix anything by hand.
macOS 15 or later, Apple silicon. Editing is free. Agents need Pro, which starts with a 7-day free trial.

Opens in a second and scrubs 4K without a spinner.
Nothing is imported into a library you can't open.
Whatever the agent does, ⌘Z takes it back.
No sign-in and no upload. Only footage analysis, part of Pro, sends a small copy of each file once.
A language model has no eyes and no ears. Give it a folder of raw footage and the best it can do is cut by the clock. BetterEdits analyses each file once and hands the agent what it found as text: every spoken word and when it was said, who said it, the pauses, the words on screen, the scenes and the beats. That is why “cut the pauses” lands on the right frame, and why an agent can't do this on its own.
The transcript with a start and an end for each word, so a cut can begin exactly where a sentence does.
Speakers are told apart, so a change of voice ends a caption bar and a two-person clip cuts cleanly.
Every silence and false start as a number. That is what “cut the pauses” is made of.
Text the camera saw, so the agent can find the slide or the sign you mean.
Where the picture changes and where the music lands, for montages cut on the beat.
On Pro the app analyses everything in your workspace by itself as files arrive, and saves the result next to each file. Every cut you make from that file afterwards costs nothing more. See pricing.
What the agent reads for one file. It is text, so the agent can reason about all of it at once.
You shot it in one take. You know which pauses go, which line is the hook, and where the captions belong. The slow part is making a timeline do it, one drag at a time.
You find every pause by ear, drag every edge with your thumb and type every caption. Your footage and your exports live inside the app.
Final Cut, Premiere and Resolve want a project, a library and a colour page before you can cut a 40-second video. You learn a hundred panels to use four.
You upload your footage to someone else's cloud, wait, and get one cut back. The first fix you want means starting over.
You already describe work to an agent all day. With BetterEdits, you can describe the video.
There is no cloud editor and no black box. The agent edits the same video, in the same app, that you do.
Open Connect an Agent in the app and click Install. BetterEdits is added to Claude Code, the Claude app or Codex, along with a guide that tells the agent how videos are made here. Any other MCP client takes one command. Nothing is written into your folders.
An agent can't watch video. On Pro, BetterEdits analyses every file in your workspace as it arrives: every word and when it was said, who said it, the pauses, the text on screen. The agent cuts from that instead of guessing.
The agent writes the cut and it appears on the timeline within a second, as one undo step. It renders frames to check its own work, and exports when you ask.
Even a rewrite of the whole timeline is one ordinary undo step in the app.
Each one works because the transcript tells the agent what was said, and the app tells it what it did.

Each of these is a tutorial, with the exact words to say: Tutorials.
An agent is only useful when the tool is straight with it. BetterEdits checks the agent's work, refuses mistakes, and leaves an undo step behind every change.
The agent reads the transcript and renders frames of the cut before it tells you it's done.
The agent goes through the same code you do. There is no hidden state it can reach and no confirmation it can skip.
If the agent sends something the app doesn't understand, the app says where the problem is and keeps your version.
Open it anywhere, back it up, hand it to an agent. Nothing is locked inside the app.

A contact sheet the app drew for the agent: one frame per clip, captions and text included. This is how the agent checks a cut.
When the agent is done, or when you'd rather do it yourself, BetterEdits is a fast Mac editor in the spirit of Instagram's Edits app. One magnetic timeline, frame-exact trims, and only the parts a short video needs.
Drag either edge of a clip and the viewer shows the exact frame. 4K HDR footage scrubs without a spinner.
The agent writes the bars from the transcript and you fix any of them inline. Eight styles with a live preview, burned in at export.
Classic, Modern, Strong, Neon, Typewriter, Meme and more, plus every font on your Mac. Save the looks you like as favorites.
Record from the playhead while the timeline plays. Music on the other tracks drops under your voice on its own.
HD, 2K or 4K at 24, 30 or 60 fps. iPhone HDR footage stays HDR all the way to the export.
Switch between 9:16, 16:9, 1:1 and 4:5 and your clips, text and captions stay where they were. Reels guides show what Instagram's UI will cover.

For a long-form piece, use Final Cut. Your footage stays in folders both can read.
See every featureDownload the app, make a workspace, and connect your agent with one click.